A STRING ALIGNMENT METHOD TO FIND TIME CUE POINTS TO MIX MULTI-TRACK AUDIO FILES
Rui Guo, Adam Place and Joseph Horton |
ADTWEB: AN OPEN SOURCE BROWSER BASED AUTOMATIC DRUM TRANSCRIPTION SYSTEM
Carl Southall, Nicholas Jillings, Ryan Stables and Jason Hockman |
AMEN, AMEN SEVER, AMEN.JS: TOOLS FOR ALGORITHMIC REMIXING
Thor Kell, Brian McFee and Ben Lacker |
AN ACCURATE OPEN-SOURCE SOLO MUSICAL INSTRUMENT CLASSIFIER
Hanna Yip and Rachel M. Bittner |
AN ANALYSIS OF USER BEHAVIOR IN CO-CURATION OF MUSIC THROUGH COLLABORATIVE PLAYLISTS
So Yeon Park and Blair Kaneshiro |
AN INTERACTIVE SINGING COACHING INTERFACE FOR VOICE THERAPY
Yi-Hsin Chen (Sonia), Heng-Chin Yeh (Yero) and Shu-Wei Tsai (Suwei) |
AUTOMATIC DJ MIX GENERATION USING HIGHLIGHT DETECTION
Adrian Kim, Soram Park, Jangyeon Park, Jung-Woo Ha, Taegyun Kwon and Juhan Nam |
BUILDING K-POP SINGING VOICE TAG DATASET: A PROGRESS REPORT
KeunHyoung Luke Kim, Sangeun Kum, Chae Lin Park, Jongpil Lee, Jiyoung Park and Juhan Nam |
CAPTURING THE MEANING OF COMPLEX TEXTS ABOUT MUSIC
Richard Sutcliffe and Cynthia Liem |
CHANGE YOUR TUNE: A SYSTEMATIC EXPLORATION OF TONIC SHIFT IN CARNATIC MUSIC
Vidya Rangasayee |
CHARACTERIZING COMPOSERS USING JSYMBOLIC2 FEATURES
Cory McKay, Julie Cumming and Ichiro Fujinaga |
CHORDIFY ANNOTATOR SUBJECTIVITY DATASET
Hendrik Vincent Koops, W. Bas de Haas, Jeroen Bransen, John Ashley Burgoyne and Anja Volk |
COMBINING MUSIC SPECIFIC EMBEDDINGS FOR COMPUTING ARTIST SIMILARITY
Pasquale Lisena and Raphaël Troncy |
COMPUTATIONAL MODELS AND MUSIC XML DEFINITION FOR COMMON PIPA TECHNIQUES
Shuqi Dai and Gus Guangyu Xia |
CORRESPONDENCE BETWEEN AUDIO AND VISUAL DEEP MODELS FOR MUSICAL INSTRUMENT DETECTION IN VIDEO RECORDINGS
Olga Slizovskaia, Emilia Gómez and Gloria Haro |
DESIGN OF A CONVOLUTIONAL NEURAL NETWORK FOR SEPARATING SINGING VOICE FROM MONAURAL POP MUSIC
Kin Wah Edward Lin, Enyan Koh, David Grunberg and Simon Lui |
DEVELOPING A PROFESSIONAL-GRADE PERSONALIZED RADIO APP IN AN ACADEMIC SETTING
Douglas Turnbull, Chris Perez, David Dorsey, Jon Burger, Joe Menduni, Daniel Akimchuk, Elena Piech, Alex Python, and Thorsten Joachims |
DJNET: A DREAM FOR MAKING AN AUTOMATIC DJ
Yu-Siang Huang, Szu-Yu Chou and Yi-Hsuan Yang |
DYNAMIC CHANGE POINTS IN MUSIC AUDIO CAPTURE DYNAMIC MARKINGS IN SCORE
Katerina Kosta, Rebecca Killick, Oscar F. Bandtlow and Elaine Chew |
EMOTION-AWARE MUSIC INFORMATION RETRIEVAL BASED ON PHYSIOLOGICAL SIGNALS AND USER PROFILE
Fanjie Li, Jeremy Ng and Xiao Hu |
END-TO-END LEARNING FOR MUSIC AUDIO TAGGING AT SCALE
Jordi Pons, Oriol Nieto, Matt Prockup, Erik Schmidt, Andreas Ehmann and Xavier Serra |
GUITAR-SET PREVIEW: A DATASET FOR GUITAR TRANSCRIPTION AND MORE
Qingyang Xi, Rachel M. Bittner, Johan Pauwels, Sebastian Ewert and Juan P. Bello |
HIGH-LEVEL CHORD FEATURES EXTRACTED FROM AUDIO CAN PREDICT PERCEIVED MUSICAL EXPRESSION
Jochen Steffens, Steffen Lepa, Martin Herzog, Andreas Schönrock, Geoffroy Peeters and Hauke Egermann |
HIT SONG PREDICTION BASED ON EARLY ADOPTER DATA AND AUDIO FEATURES
Dorien Herremans and Tom Bergmans |
IDENTIFICATION OF SINGING STYLE TECHNIQUES VIA SPECTRAL ANALYSIS
Camille Noufi |
MDB DRUMS: AN ANNOTATED SUBSET OF MEDLEYDB FOR AUTOMATIC DRUM TRANSCRIPTION
Carl Southall, Chih-Wei Wu, Alexander Lerch and Jason Hockman |
MEL: A MUSIC ENTITY LINKING SYSTEM
Sergio Oramas, Andrés Ferraro, Albin Correya and Xavier Serra |
MIXING SECRETS: A MULTI-TRACK DATASET FOR INSTRUMENT RECOGNITION IN POLYPHONIC MUSIC
Siddharth Gururani and Alexander Lerch |
MÖBIUS BEATS: THE TWISTED SPACES OF SLIDING WINDOW AUDIO NOVELTY FUNCTIONS WITH RHYTHMIC SUBDIVISIONS
Christopher J. Tralie and John Harer |
MULTI-SCALE ANALYSIS OF AGREEMENT LEVELS IN PERCEIVED EMOTION RATINGS DURING LIVE PERFORMANCE
Simin Yang, Mathieu Barthet and Elaine Chew
|
MULTI-SOURCE MUSAICING USING NON-NEGATIVE MATRIX FACTOR 2-D DECONVOLUTION
Hadrien Foroughmand and Geoffroy Peeters |
MUSEGAN: DEMONSTRATION OF A CONVOLUTIONAL GAN BASED MODEL FOR GENERATING MULTI-TRACK PIANO-ROLLS
Hao-Wen Dong, Wen-Yi Hsiao, Li-Chia Yang and Yi-Hsuan Yang |
MUSIC DATA REPRESENTATION AND INFORMATION RETRIEVAL USING VECTOR- BASED SIMILARITY SCORES
Hanchao Li |
MUSIC GALAXY HITCHHIKER: 3D WEB MUSIC NAVIGATION THROUGH AUDIO SPACE TRAINED WITH TAG AND ARTIST LABELS
Dongwoo Suh, Kyungyun Lee, Jongpil Lee, Jiyoung Park and Juhan Nam |
MUSIC INSTRUMENT DETECTION USING LSTMS AND THE NSYNTH DATASET
Brandi Frisbie |
MUSIC SOURCE SEPARATION USING WEAKLY LABELLED DATA
Qiuqiang Kong, Yong Xu, Wenwu Wang and Mark D. Plumbley |
NON-CHORD TONE IDENTIFICATION USING DEEP NEURAL NETWORKS
Yaolong Ju, Nathaniel Condit-Schultz, Claire Arthur and Ichiro Fujinaga |
PERFORMSCORE: TOWARD PERFORMANCE VISUALIZATION WITH THE SCORE ON THE WEB BROWSER
Dasaem Jeong, Taegyun Kwon, Chaelin Park and Juhan Nam |
PROTOTYPE FOR MOTION INITIATED MUSIC ENSEMBLE WITH SENSORS (MIMES)
Dania Murad, Ye Fenyi, Arun Shenoy, Michael Barone, Simon Lui and Ye Wang |
PROTOTYPING FULL-PIPELINE OPTICAL MUSIC RECOGNITION WITH MUSCIMARKER
Jan Hajič jr. and Matthias Dorfer |
RECSYS CHALLENGE 2018: AUTOMATIC PLAYLIST CONTINUATION
Markus Schedl, Hamed Zamani, Ching-Wei Chen, Yashar Deldjoo and Mehdi Elahi |
TEMPO ESTIMATION METHOD BASED ON TEMPO-PAIR MODEL: A STUDY ON ACCURACY AND DOWNBEAT CNN FEATURE
Fu-Hai Frank Wu |
THE ACCOMPANION V0.1: AN EXPRESSIVE ACCOMPANIMENT SYSTEM
Carlos Cancino-Chacón, Martin Bonev, Amaury Durand, Maarten Grachten, Andreas Arzt, Laura Bishop, Werner Goebl and Gerhard Widmer |
TIPPING POINTS, PULSE ELASTICITY AND TONAL TENSION: AN EMPIRICAL STUDY ON WHAT GENERATES TIPPING POINTS
Canishk Naik and Elaine Chew |
TOWARDS EXTRACTION OF GROUND TRUTH DATA FROM DJ MIXES
Diemo Schwarz and Dominique Fourer |
TOWARDS THE DETECTION OF PIANO PEDALLING TECHNIQUES FROM AUDIO SIGNAL
Beici Liang, György Fazekas and Mark Sandler |
VIBRATO ANALYSIS DATASET AND DERIVATIVE TRAJECTORY PARAMETERIZATION
Doga Buse Cavdir, Guiseppe Bandiera, Oriol Romani and Xavier Serra |
VISUALIZING THE EVOLUTION OF ALTERNATIVE HIT CHARTS
Dorien Herremans and Wim Lauwers |
VOICE ENTRY ESTIMATION HEURISTICS TO REDUCE ERROR PROPAGATION IN VOICE SEPARATION MODELS
Reinier de Valk and Tillman Weyde |
